Woman of the Hour. A good directorial debut from Anna Kendrick, who takes an ensemble approach to what could have easily been another also-ran crime film. Kendrick doesn’t hog the limelight, either, with a knockout performance from Autumn Best stealing the show.
Heretic. An interesting if flawed premise, leading to a cliched resolution. Much like organised religion, amirite? Watch this just for Hugh Grant being a freak.
Worth it for Dan Stevens’ German, Cuckoo is a conventional little film that nevertheless moves at a decent pace and remains interesting. Hunter Schafer as the ill-at-ease teenage lead is very good. Nice genre film, good treat for my brain.
Little Bites. Apart from the air of constant menace, there’s not much else to this. Good atmosphere, passable central performance, weak ending. Both Barbara Crampton and Heather Langenkamp popping up are distractions.
Strange Darling. The days when merely being non-linear could carry a film are long gone.
Love Lies Bleeding. I could watch Katy O’Brian get ripped all day, quite frankly, and Kristen Stewart is good too. Ed Harris can still act when he wants to. Some nice magical realism in an otherwise grimy crime film.
Exhuma. Choi Min-sik, looking much older here despite the fact he was in Oldboy (2003) perhaps ten years ago, plays a geomancer specialising in burial plots, and gets involved in a complicated burial. Some fantastic Korean and Japanese superstition and mythology, and a decent cast, can’t quite it from feeling a little bit too long.
What do you do after your last film (“Stand-up is too woke.”)? Make a musical.