Film; or The Silver Screen

Did not expect to be cut so deep by Inside out 1. Mstr 11 and Miss 8 clearly got the message from the film too. Any younger and I doubt they would have understood and just been sad instead. With a daughter that struggles with sadness, anger, and joy, I think she felt represented.

Not quite sure what inside out 2 brings. It might be too soon for miss 8, but mstr 11 is just about to enter the gauntlet that is teenhood. Hopefully. this eases the passage somewhat

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Itā€™s not as gut wrenching as the first. There is nothing that compares to that Bing Bong scene. It also isnā€™t too complex for even the younger kids. Even though it involves the added emotions that come with growing up and puberty, I donā€™t think it is anything younger kids wonā€™t understand. Riley is torn between her friends and her opportunity to play hockey at a higher level. She makes some questionable decisions that are very easy for kids to understand and she then questions if that makes her a bad person. Plus there is enough zaniness that if the subtleties of the emotions go over your kidsā€™ heads they will still enjoy the movie. It isnā€™t as good as the first movie but it is still heaps better than a majority of the animated movies that are churned out these days.

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Apparently it just became the highest-grossing animated film in history. Thatā€™s crazy. Never would have guessed itā€™d be doing those Frozen and Mario numbers.

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The Iron Claw. If this was fiction it could be the blackest comedy imaginable. As it is, the story of a wrestling family plagued by bad luck and suicide (or bad parenting and suicide, or just plain bad parenting) makes for some grim viewing. Holt McAllany is perfect as the merciless patriarch, and he sets the tone. The few sentimental scenes donā€™t sit well with the rest of the film.

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Thanks for mentioning the bing bong scene. It makes me feel my emotions were valid. For the kids it was over in a few seconds, but as an adult we knew exactly what was happening the moment he stepped out. We all have our own versions of self sacrifice burnt into us from whatever show we watched as kids. I didnt think they made shows like that anymore.

Regardless, eventually I could explain to my kids what happened without my voice cracking, but I definitely needed a hug afterwards.

So Im glad inside out 2 wont be so brutal. Thanks for the reassurance

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Thoroughbreds. Anya Taylor-Joyā€™s humongous eyes and Olivia Cooke star as a pair of upper-middle-class girls, ostensible friends, except one is dreadfully unhappy, and the other is a sociopath. Anton Yelchin does a fine job in his small role, haplessly brought in to their plotting. A very careful, restrained and well-composed picture.


Last Voyage of the Demeter. Based on the eponymous shipā€™s log from the novel Dracula (a new low, I think, in terms of adaptation material), apparently this was in development hell for decades, and quite frankly it should have fucking stayed there. Probably the worst thing about this film is you have some creepy scenes and even some good performances, in a film that uses a section of Stokerā€™s Dracula, so it canā€™t really change too much (or can it!? No.), and yet also has the sheer gall to presume that it can change what it takes from the novel, and offer a possible sequel, while at the same time effectively changing nothing. It would have been much better if they had just decided to change it completely, and it was 120 minutes of Dracula getting the shit kicked out of him, before being bummed to death by a gang of sailors. Liam Cunningham deserves a medal for acting in this as if it was a good film.

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I wanted to like Demeter so much. I thought it was a cool idea, to take a small part of the source material and maybe turn it into an Alien-like period-piece horror movie. I think I fell asleep watching it.

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No one seems to have mentioned Deadpool & Wolverine.

With the massive caveat that you will almost certainly need to enjoy previous Deadpool humour, then Im comfortable to say this is a Very Good Deadpool movie. Great action, superb villain. Possibly the best Deadpool movie yet.

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Monster. A third of the way through I was ready to write this off, but it actually turned out very worthwhile, and much different than I expected. No easy answers or clean situations, just some very messy, interconnected lives. Excellent acting. While the substance of the film is mundane, the expression of it is not.


Crimes of the Future. As much as I enjoyed it, this is Cronenberg making his film again, very comfortable in his little pool. Human evolution is accelerating, public surgery is the new performance art, the government is cracking down on anything too unusual. Iā€™d rather watch Antiviral again.

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Any recommendations for demons/ hell based movies? Im playing a game about demons, Im watching Constantine, but think I want more.

Im more interested in the deep lore, like perhaps in Dogma. While I thoroughly enjoyed the devils advocate, Im more looking for hellscapes and named demons that would upset my Christian friends

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Ninth Gate, As Above So Below, Event Horizon, ā€¢Rec (Spanish), When Evil Lurks (Spanish), 30 Coins (Spanish series), Hereditary, Late Night With The Devil, Errimentari (Spanish), The Wailing (Korean), Angel Heart, Prince of Darkness, Belzebuth (Spanish), Blackcoatā€™s Daughter, Fallen, Hellraiser, The House That Jack Built, The Dark and the Wicked.

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The Sandman and Good Omens series both go to hell at points, and characters in hell are more than simple caricatures. Iā€™ve not been following the sex crime allegations carefully, so I get if people arenā€™t feeling like supporting his work.

As with most news, I feel like itā€™ll be best for me to digest after some time passes, if for no other reason than to allow my initial desire that it not be true to give way to acceptance.

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You mean these:

Yes, I was also shocked ā€¦.

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Yup. But Iā€™m noticing myself latching onto concerns about the impartiality of the person who broke the story, and some odd quotes/facts. So, while Iā€™m in a position to acknowledge that there is this issue, I donā€™t feel like Iā€™m doing a good job of evaluating it (and, really, itā€™s not like my opinion matters). But, since it was shows derived from his works which came to mind when I was thinking about visual media which explores hell and demons, I thought I should flag that thereā€™s an evolving and important story which might affect oneā€™s decision about whether to consume that media.

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Thats sad news about Giaman being #metoo -ed. I dont want to believe it, but even accusations tend to stick.

And thanks for the recommendations OhBollox, I knew I could count on you

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Many, many years ago, I worked in the comic book industry. And I knew a lot of comic book artists and writers and editors, etc. I was friends with some of them, many others were acquaintances. It was a great job, in some ways, but also one of those jobs that showed me everything about how the sausage is made, at a lot of different levels, and it eventually ruined me for comics for a while. I honestly hate talking about this experience because it tends to make me want nothing to do with comic books whenever I think of it.

But in the course of my time doing that, I met a lot of really interesting people, including Neil Gaiman. And we got along. He was a generally nice guy, intensely creative, funny, and very literate about a lot of topics. He was also very pleased about how smart he was, he liked his status in the industry a lot, and he certainly enjoyed the attention he got from fans. All of which is very forgivable and understandable. And we got along well; we were friendly acquaintances. He introduced me to people, weā€™d make time to talk at cons, and for some time, we had each otherā€™s home phone numbers and would talk infrequently. He was married to his first wife Mary back then, and she would often answer the phone and was quite lovely. He had kids, and he was an attentive parent, from what little I knew.

At a certain point, something changed about him, though. The celebrity and adoration seemed to mean a lot more to him. There was a lot of gossip for a while about him and the musician Tori Amos, and he refused to dispel any of it. He was still the same nerdy smart guy, but he seemed a lot more occupied with escaping comics (I could hardly blame him), perusing wider fame, and garnering the attention of other women. Again, these were only my observations, and these are by no means uncommon or even ā€œbadā€ characteristics. But there was an aspect to him that I quickly grew to dislikeā€“something about his personality felt more unscrupulous and even cut-throat. I had left the industry around that point (so it is easy to understand why he may have been less interested in me), and we stopped staying in touch.

I heard a lot of things about him from lingering friends I knew in comics and publishing, and all of it was what I can best describe as being said very carefully. The messages and implications were fairly clear, though I had stopped caring about anything related to comics, honestly, so I never knew what to believe and didnā€™t track it. But none of it made me doubt in any way what I had felt changed about him. He soon left his wife, and that was sad to me, but not really surprising.

Now, for what itā€™s worth, the current news has also been sad but not surprising to me either. I am only (mildly) surprised it took so long.

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And now I see the meaning of your username.

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Obligatory I did not subject myself to this level of masochism

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