The Royal Library of Alexandria (SP Book Discussion)

Fully expecting the new version of An Infamous Traffic to eventually pull the same sort of attention John Company has, I’m reading up on the background.
towar
Lovell’s book is important because it’s not just about what happened in the 19th century, but also what happened following that, when national myths became of paramount importance to the new Chinese states, and the way in which it’s been used since.

I’m mainly re-reading it for its absolutely transcendent prose.
ttt
But also I’m playing Hearts & Minds, so any kind of Vietnam book is welcome.

Trying to find a bit of fiction to sink my teeth into.
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The Things They Carried was great, as is all of O’Brien’s stuff.

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Bacigalupi’s name alone sold me.

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I’ve had some pretty vivid dreams in lockdown, including one that was like a Resident Evil chase scene set in a bizarre sterile abattoir world peopled by raw flesh golems, but I had one recently that is a first. I was sorting through some books and DVDs, in my dream, and the covers were of real books and DVDs, that I recognised upon seeing each one. What was odd was the titles were wrong, every work was called something else. What really freaked me out was this:

Have you ever tried to read text in a dream? And it’s all jumbled, when you focus on it? Sometimes it’s words in random order, sometimes it’s just letters in random conglomerations, but it never makes sense, and the text even shifts and flows as your eyes cross the page; if you even try to read back a non-sentence, you can’t, because it’s changed?

The blurbs on the back of the works was in perfectly legible English and discussed the plot of the work in a neat little summary. It was a story that had no relation to the cover, but they made sense, coherent sentences, the lot. I only looked at two and it freaked me out so much I woke up. Take that, brain.

Anyway. KHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAN!
ggk
Not perfect by any means; a lot of little peripheral things wrong throughout, although the book is right in pointing out the brilliance of a man who really did create an empire without daddy laying the foundations for him. While still a byword for barbarity and destruction (Mongol, Mughal, mogul, etc), rather less attention is paid to the free trade, cultural exchange, unification around a common alphabet and language, adherence to a overarching system of laws, abandonment of torture, and numerous other achievements that bootstrapped many countries, some intentionally some not, into a surprisingly broad, sudden advancement.

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For me, I’ve only ever been able to read perfectly fine in my dreams. I’ve never had that experience that seems common, of just seeing a jumble. On rare occasions, I’ve actually been able to bring back lines of text or poetry and write them down before they fade away.

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Welcome to the


I devoured this in a couple of days. Bear is a compelling writer, and I confess I don’t read her books often enough. A rescue ship responding to an ancient generation ship’s distress beacon finds something quite different than your average medical emergency, and we follow the return of casualties to hospital, and the space paramedic protagonist, afflicted with chronic pain but helped by an exoskeleton, investigates. I like the multi-species federation depicted, not as a utopia, but a messy conglomeration of races that have engineered their way around their baggage, and the resulting changes in technology and communication necessary to make it work. Bear sometimes glosses over the minutiae, when I wish she would spend more time on the particulars, but overall it’s a refreshing story that isn’t about shooting people with lasers.


Tchaikovsky’s a mixed bag for me, sometimes I like his stuff despite the glaring flaws. Sometimes I don’t. This is off to a decent start at least; a Johnny Mnemonic type smuggles data in his head, except this time it’s Honey the bear, and it’s time for revolution on Mars. Hell City is an appropriate title for the kind of place you’d have to suffer in the early stages of Mars colonisation, and the technology is interesting. It scratches my Terraforming Mars itch.


Re-reading. Some hasn’t aged well, but a lot of amazing characters and prose.

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I’m almost positive I’ve already asked this, so consider it the scotch talking. I’m looking for a horror book that is truely scary. I know the medium doesn’t lend itself to the jump scares that you get from a movie, but I want a book that I need to ready under the covers and that makes me scared to turn out the lights. Is that even possible from a book? The last “horror” book I tried was Ghost Stories by Peter Straub. Or possibly that book @OhBollox recommended - Carrier Wave, I think? Any suggestions? For what it’s worth I highly value quality writing which is why I tend to think Steven King sucks.

I can think of only a few. They’re rare. Carrion Comfort by Simmons. The Beautiful Thing That Awaits Us All by Barron. Negative Space by Yeager.

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Just finished The Drawing of the Dark, by Tim Powers, and am on to Blood Maidens, by Barbara Hambly. The first got me interested in the sieges of Vienna—anyone know of a good book to read which might cover the tactics, strategy, and politics behind them? Or perhaps a good game on the subject? I feel like 1529 is the sort of year for which I have very little feel.

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Been racking my brains and the only one I can think of is Enemy at the Gate by Wheatcroft. Like battles of Constantinople, Tours, and others, it’s prime ‘clash of civilisations’ territory for white supremacists, so I approach every book on it with my eyebrows extremely raised. Wheatcroft’s book covers both sieges of Vienna IIRC.

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Yeah–I was getting that vibe, reading between the lines of reviews, from some of what I was seeing on Amazon, and figured I’d do better to ask here than just try one of them.

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Knockemstiff, Pollock. I’m very aware by personal experience that poverty is not ennobling. However, when every character in your book is deprived and also apparently an honest to God deviant, it begins to look a little farcical. The grimness of dirt-poor life is undercut by the ubiquity of wrongdoing, and these sins are not just of the “Oh they’re only visible because they’re poor.” kind. Not everyone fucks their sister, poor or not. Some great lines and passages, but it needs at least a little normalcy to even out the murder, domestic abuse, and paedophilia.

Beat the Reaper, Bazell. A riot of a book. A former hitman turned doctor enjoys a hectic day at work in a hospital and strives not to get murdered. Extremely enjoyable.

Slave Empire, Scanlan. Turns out the British Empire wasn’t all smiles and sunshine. It’s not a massively heavyweight work, but I’m ploughing through a lot of these recently. Some are good, some have more than a whiff of “I bet you didn’t know the British Empire was pretty bad, eh?” to them, which is kind of necessary for some people but excessive for anyone who paid attention at any point.

Down Cemetery Road, Herron. Your average housewife starts investigating an accident on her street, haunted by the disappearance of a child. Herron’s as good as always with sharp writing and sharper dialogue.

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O’Brien of course never considers blowing fucking cocaine up your nose and heroin in your eyes. He never considers electrocuting your piss and shoving a fucking battle axe up your arse. And yet here we are. If you’ve ever carried a body or suffered a wound, if you’ve ever shot an enemy or cowered in fear, if you’ve ever had a guilty orgasm or a conscienceless punch, if you’ve ever gritted your teeth so hard you can taste the fragments of enamel or felt like a criminal just for looking at a scene, here you are, here you are ladies and gents here you are boys and girls, here you are. If you die, we will bag you up and we will ship you home. You don’t even have to be in a combat zone, but if you are it’s a plus. Here is Vietnam.

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Can’t answer your question, but I wanted to say that Hambly is one of my favourite authors and I’ve just started getting into the vampire ones. I just finished Blood Maidens and it is really good. Looking forward to the rest.

Her Benjamin January series is exceptional as well. Mysteries set in the late 1830s in New Orleans with January being a black piano player who was a doctor in Paris until his wife died of cholera and he moved back home. Lots of period atmosphere around slavery, free blacks, those who became concubines to escape slavery, but the characters are rich (I love the Kentuckian sheriff who has befriended January and works with him in many of these books) and Hambly’s descriptions are always sublime (though I can see how some people wish she would just get on with things sometimes, I don’t share that opinion).

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One thing I was not prepared for was a very pleasant short history of the village and its inhabitants, their occupations and local businesses, bucolic lifestyles and politics. It provides the necessary context, lacking by omission in other works on massacres (sometimes by necessity, admittedly), that allows you to grasp the horror of what follows, which is women and children being rounded up by the SS, herded into the largest nearest building (barns usually) and asphyxiated, burned, and shot. 643 people were murdered.

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A solid, uniquely depressing work of Lovecraftian scale, complete with unknowable fings beyond the dawna time wot man should not wot of. It’s pretty good if a bit unwavering in tone; I do like the lack of any kind of hope but it perhaps shouldn’t have started like that.


The David Gemmell of the 21st century. Never going to win the Man Booker Prize For Fancy Writing And Stuff, but workmanlike prose and a good sense of humour goes far. Not subtle, gets the job done, eminently readable.


Very serviceable. I am yet to be impressed but it’s decent and I’m not that far in.

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I’ve finally started the Expanse books (after watching the first 3 seasons of the show.

The first book is really good so far! Only about 20% in.

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de

Excellent work in a genre that has been very overdone (teens in a magic school). Main character is a misanthropic young woman who generates her mana from scratch and resents all the other students who have it pumped in to them. Essential to have mana always on tap because there are no teachers, and 24/7 the students are being attacked by hideous creatures lurking all over the school. Well done, very satisfying, first book in a series.

ne

I’ve read the four Murderbot novellas that came before this with much delight. This, the first novel-length story, is also very good, though I think I like the shorter format better. This one drags things out more than it needs to, and Murderbot doesn’t insult the humans enough, which was part of my favorite aspect of the novellas. It’s a good story, but after some great initial action, we have to wait a little longer than I’d like for more carnage. Which I know is not what these are really about, but…

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HTRAEAGAWI is classic Parker, a world-wise and weary sardonic protagonist shoved into a terrible position striving not to be found out and murdered. In this case, as an actor impersonating an emperor, and it’s delightful. Funny, smart, enjoyable.

TLA on the other hand is in some respects a decent book, but it is on the whole not very good, clumsily constructed with one eye on a film adaptation, complete with a kind of literary ‘voice over’ between scenes which is supposed to be foreboding but in the manner of an Adam Curtis documentary, just ends up being counterproductive and darkly funny.

MS. PRO TAGONIST: “We had to find out if the aliens were friendly.”

NARRATOR: “The aliens were not friendly.”

This is a shame because portions of the book are sincere, but it’s not at all well-written and there’s big sloppy handfuls of wrong everywhere. I’m surprised I finished it.

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TOGITV is pretty transparently a bunch of blog columns collated (openly confirmed at the end of the book). It makes for satisfying reading, but it feels truncated, there’s no real fleshing-out or connection between them. I enjoyed it, and it makes some excellent points about Japanese culture.

TBB is an odd halfway house between improving your poker game complete with psychological biases and probability, and journey of self-discovery. It’s a passable read but it’s not really useful to anyone aside from the author. It could easily have been a great synthesis of maths and psychology.

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