The Glass Teat, or 'Television'

This is what killed it for me…needed more chess. When they showed her beating the boys in her first few tournaments, it was awesome. But then they’d cut to all the melodrama of her life (which is fine) but dragged it on, and on, and on.

I mean, you could tell she was going to steal the pills in episode 1, but it took forever to get there. Likewise with her boozy mom. That stuff could have taken 1/2 the time and then spent the rest of the time on her kicking ass in actual matches. But that’s just me…

Also, I’m kind of annoyed that it’s another show that indicates you need to be a near savant to play chess at high levels. You can’t be great at chess without being anti-social and possibly on the spectrum. This one adds booze and pills, but it felt the same.

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I must not be watching the same Ted Lasso as everyone else. It’s okay but it’s just not that funny.

need more chess?
there are lots of really great chess channels full with match stories and analyzes, chess history episodes and teaching videos. amazing stuff.
i can get lost for hours in these channels.
but i don’t need too much of that in a story telling drama.
so for me Queen’s Gambit was exactly the perfect mix.

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But isn’t that a really odd thing about the series? That there was a ton of work done on the chess matches in the episodes, to the extent they’re on youtube being broken down move by move, but hardly a single move is in any episode?

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If you were just expecting/wanting more of the NBC Premier League promo version, then I wouldn’t blame you for being puzzled. Those promos were supposed to be short and silly. The Ted Lasso series sprinkles a few of the same jokes in the first few episodes, but the characters have more depth and heart. Ted’s relentless optimism doesn’t always work to solve every situation. And yet the series never makes fun of Ted for being an optimist, even when it would be easy to do so. I know that you value good storytelling. Ted Lasso is so much more than just a comedy. It aims higher than that.

ETA: Oh, and there is some chess. And darts!

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The Ted Lasso series sprinkles a few of the same jokes in the first few episodes, but the characters have more depth and heart. Ted’s relentless optimism doesn’t always work to solve every situation. And yet the series never makes fun of Ted for being an optimist, even when it would be easy to do so. I know that you value good storytelling. Ted Lasso is so much more than just a comedy. It aims higher than that.

Very well put. I shall see it through.

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Found a great comment on a YouTube video that unfortunately contains lots of spoilers, or I’d post it here. (Maybe later.) Hat tip to InTurtleBleeting, whoever you are:

Who would have thought that in the bleakest of years ever to end a decade in recent memory, they’d release a show about a yank managing an English Football team with so much heart, that in spite of everything that this year has made you feel, you’d somehow manage to consider feeling hope. f**k 2020! Onward and Forward!

Well said. The perfect tonic for a wasted year.

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So…the Mandalorian season 2 finale!!! :scream:

Massive spoiler territory so I won’t say anything else…

Go watch it.

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Who would have thought after that massive ‘content tsunami’ Disney unleashed a few days ago of upcoming projects, that they still had one more golden egg to give?

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Ted Lasso. After finishing the series, I’m happy to say @doublebullout was correct and I was wrong; an excellent series that isn’t just straightforward laughs. Very uplifting, and ever so rare this year. It does get funnier as it goes on, too, but that’s not really what it’s about. I’ve not seen a series in a long time that was sincere about honesty, caring, and being open emotionally.

Sweet Home. As I’ve watched one Korean series, Netflix promptly went fucking mental and recommended me about twenty more, and this is one of them. Apparently not an adaptation of the Japanese Sweet Home, it’s about a bunch of normal folk trapped in a block of flats during a supernatural apocalypse. I think the score is mostly terrible, about as subtle as kicking John Williams down some stairs, and there’s a real helping of cheese here, but I can even live with the CGI for the sake of an interesting mix of characters. Even the usual sappy Korean pandering got to me a little.

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This New Yorker piece hit precisely why I didn’t like it very much, although my children both play tournament chess and I loved the novel. It was too “sexed up.” The creators spent far too much time making a woman who in the novel wasn’t beautiful very appealing, and thus distracting us with her sex life when it should have been about the chess. It’s as if the creators thought they couldn’t sell the show on its own, that they needed a former model and multiple partners to seal the deal.

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I think it’s interesting that the NYer article was written by a woman, because what I think is going on with the show is along the lines of “being good looking” is a necessary ingredient for a woman to succeed in a men’s arena. And that’s obviously not true and sort of insulting to women who are not former models. At the same time, I think casting a traditionally “ugly” actress would have both cost the show viewers and flipped the dial too far in the other direction–the show would have been too overt a statement about brains over beauty. Her triumph would have been so closely tied to sexism as to overshadow anything else.

I mean, it’s a 7 episode TV show about a chess prodigy. Of course they’re going to have to sex that up. And I don’t fault them for that. Their choice to offer zero knowledge about how to actually play, explain strategy, reveal the core appeal of the game itself–that’s what I take issue with.

(Spoilers in this para) It’s especially weak (for me) because the creators of the show were pretty clearly working with chess metaphors throughout–who is the titular queen? The easy answer is Beth, but it’s her bio-mom who sacrifices herself (we’re led to believe out of a hope (gambit) that Beth will do better in life without her), and then her adoptive mom who also dies after dedicating herself to supporting Beth’s rise in the chess world. Does Beth ever make a sacrifice? What is her “gambit” exactly? Her many male supporters lead us to believe she’s the queen (right down to the twin friends who, for me, came off like a pair of bishops) and they are the other pieces, but doesn’t that make her the king? And is that the real point–Beth emerging as king?

I’m not sure I know, but there’s a lot of (for me) subtext happening to make me want to assign roles in that way–too much for it to be accidental. Yet, if you don’t know anything about chess, you can’t really pick up on any of that.

Of course they’re going to have to sex that up.

This is one of my many arguments with Netflix. You’re a streaming service. You can make whatever you want. Your viewing statistics are mostly imaginary. You don’t have to tone anything up or down, in any aspect.

So why make so much generic shit? You’re not beholden to anyone. It’s bizarre how the entire company has had a complete failure of imagination and is just replicating a cable network but on the internet.

Queen’s Gambit could have been non-stop chess games for all they care and for all it made a difference to their bottom line (which is none, BTW, IIRC they’ve lost more than a billion dollars over the past year).

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I agree with your points, but the thing that’s happening (at least in the US) right now is that the streaming services are essentially going into all-out frenzy mode as far as “proving” their viewership numbers and increasing their subscriptions quarter-over-quarter and year-over-year so as to “beat” the other guys.

A “win” for Netflix is keeping viewers on their service for as along as possible because it means the viewers are not tempted by some other service. Second to that is showing growth in viewer numbers to make their stock go higher.

Which is utterly unrealistic–Netflix is past the point where it is somehow going to magically add a lot of new subscribers each quarter. They’ve maxed out. Their market saturation is as high as it can realistically be, short of offering their service for free (which would radically alter their business model).

The only growth Netflix can have at this point is in non-US markets. But why do they care? Because of the idea that’s become cemented in US business that the only way to make your stock valuable is to show growth every. single. quarter. Gone are the days when if a company kept its numbers more or less the same for ten years, that would be a huge success. It’s part of what makes the financial markets absurdly fantastical at this point–it’s the emperor’s new clothes every single day.

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On that note, we canceled Netflix last week. We can’t justify spending $15 every month to watch it way less than Disney + and Hulu that don’t even cost as much combined. A bit awkward since my parents were also on our subscription, but I gave them plenty of notice, and they’ve also been pretty garbage about keeping in touch with my kids during all this mess, so whatever. Might get Discovery + if it ends up on Roku.

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We are binging Cobra Kai season 3 then canceling as well.

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Cobra Kai S3. More of what we like.

I note Netflix also listed Shoot 'Em Up and Dredd today, which is the clearest sign yet that they are getting stuff to appeal to me, and only me.

We’re waiting on new seasons for too many great Netflix shows to have any interest in canceling any time soon. Ozark, The Witcher, Dead to Me, and Cobra Kai, just to name a few of them.

In three years Lauren Groff or Celeste Ng may have a new novel out about a family convulsed around the canceling of a TV subscription. :wink:

I hear you about grandparents, though. Which is why I married into a Mediterranean family so at least that side would be ever-present, even during an apocalypse.

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Kingdom. Been rewatching some of it, and I’m doubly impressed with the way plenty of zombie extras show their dedication to the role by absolutely eating it in a great many falls and other physical stunts, taking it like absolute champs. Bravo. I’m hoping for a third season.

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